Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
2020, Starinar
A monumental altar was found in the very centre of Belgrade, ancient Singidunum, in 1932, with iconographic scenes of the sacrificial procession for a ritual animal sacrifice - immolatio. The scenes depict the procession of sacrificial animals to the altar known as pompa, by the victimarii, but also represent priests of a lower rank (flamines minores), with ritual utensils like a wine-pitcher, patera and acerra, used for the ritus of purification which precedes the sacrifice and for ritual acts during the sacrifice. The altar from Singidunum represents a unique monument with the described iconography in the territory of Moesia Superior and it has only been published in catalogue form to date, never fully analysed or interpreted. Through the analysis of its iconography, typology, function, geographically closest analogies and possible context of its finding, new conclusions regarding the praxis of public ritual sacrifice are brought to light related to the period from the second half...
People Abroad. Proceedings of the XVI. International Colloquium on Roman Provincial Art, April 9–13th 2019, Tübingen (Tübinger Archäologische Forschungen 31), 2021
In the territory of present-day Croatia that is part of the former Roman region Regio X Venetia et Histria and the Roman provinces of Dalmatia and Pannonia, more than 800 Roman votive altars have been found. Most of the altars dedicated to deities are simple and without decoration, with the exception of those decorated with elaborate relief displays. Among these, representations of cult objects– a shallow bowl and a ritual jug – are among the most common motifs on the altars. The aim of this paper is to analyse instrumenta sacra depicted on the votive altars found in the territory of Croatia.
SCIENCE BEYOND BOUNDARIES II / Nauka bez granica II, medjunarodni tematski zbornik, 2019
The growing interest in the period of Late Antiquity and the place objects of applied art have gained within the framework of contemporary visual culture studies served as reasons for re-examining the role and iconographic solution on a group of Late Antique objects. These include two lamps kept at the Belgrade City Museum, a reliquary from the National Institute of Archaeology and Museum at the Bulgarian Academy of Sciences (NIAM-BAS) in Sofia and a cameo from the collection of the National Museum in Belgrade. One of the lamps from the Belgrade City Museum is decorated with the representation of a bearded man on the disc. On other objects, we encounter a cross flanked by figures identified as St Constantine and Helen. There are no known analogies for the lamp with a bearded male portrait from the Belgrade City Museum. Judging by the craftsmanship, the lamp is of North African provenance, produced at Sidi Marzouk Tounsi in the fifth century. The figure on the disc has been identified as both Christ or the emperor Julian the Apostate, the latter version being adopted by a number of authors. Still, the provenance and date of these objects disprove both identifications. The iconographic solution does not correspond to the type of a beardless Christ appearing on the lamps of this period. On the other hand, it is difficult to imagine the mass production of objects depicting the apostate emperor in the time of the anti-pagan measures of Theodosius and his successors, as well as in the spiritual climate of the North African provinces marked by the personality of Augustine of Hippo. Comparisons with other, accurately identified portraits of Julian, demonstrate that he is always shown bearing prominent imperial insignia, primarily a diadem and a fibula adorned with precious stones. However, the figure depicted on the lamp shows similarities with the description of the Neopythagorean philosopher Apollonios of Tyana and the portrait on the contourniate issued in Rome at the end of the fourth century. An ascetic, miracle worker and healer, Apollonios was the subject of controversy between Christians and pagans in Late Antiquity. Whereas pagan circles regarded him as a holy man, Christians perceived Apollonios as a threat to the authority of Christ the Miracle Worker, yet acknowledging him some qualities due to the spirituality and ascetic life he was leading. We meet the same ambivalent attitude towards Apollonios in Augustus, who mentiones him in two of his epistles. As for the objects showing figures flanking the cross, which have been thought to represent St Constantine and Helen, it turned out that in all three cases, the identification was imprecise or insufficiently substantiated. On the basis of analogies from Athens and Florence, the Egyptian provenance of the lamp from the Belgrade City Museum has been established. The iconographic details of the representation, above all the naked and accentuated breasts of a female figure, suggest that the scene depicts St Thecla and Minas. Thecla was a saint from Asia Minor, whose cult spread throughout the Mediterranean in the fourth century. It was particularly accepted in Egypt, where Thecla was associated with St Minas, a well-venerated Egyptian saint and miracle worker. The connection between the two cults and their popularity in Egypt from the forth to the seventh centuries can be confirmed by written sources and pilgrimage items depicting St Minas and Thecla, appearing individually or together, in several iconographic variants. Regarding the reliquary from Yabalkovo, we may still find sources supporting the claim that St Constantine and Helen are shown on the lid of a silver box, despite the fact that already in 1990 Vikan pointed to the analogy with the engagement and wedding rings, based on the inscription OMONOIA and a pair of busts, male and female, flanking the cross. The inscription and form of the representation speak in favour of the thesis of a married couple on a small chest that was part of the bride’s trousseau. The context of the finding indicates that the object was secondarily used as a reliquary. Intaglio of jasper, today housed at the National Museum in Belgrade, is decorated with a delicate and very stylised representation of a cross flanked by figures. There are not enough elements to determine whether the figures be male and female or two males. The formal and stylistic details point to Sassanid art production. Although we cannot completely reject the possibility that the figures show St Constantine and Helen, the existing analogies suggest two male figures, possibly the Apostles Peter and Paul. When it comes to the cultural climate of Late Antiquity, a group of seemingly unrelated objects appears illustrative enough. They reveal the simultaneous persistence of pagan and Christian traditions, the Christianisation of pagan customs, and the way secular objects gain cultic purpose by means of recontextualization. A lamp with orants is a confirmation of the widespread pilgrimage practice, while the cameo from the National Museum in Belgrade attests to the interculturality of the period.
Alia Miscellanea Antiquitatum, 2017
Numerous epigraphic monuments come from Roman military sites along the Croatian part of the Danube Limes, and part of them have been found on Roman votive altars. This work contains an analysis of seven votive altars erected by military officers beneficiarii - two from the forts Teutoburgium and Cornacum, and five from the city of Mursa
can be downloaded from http://scientiarum.fi/wp-content/uploads/2020/01/136-Commentationes-Humanarum-Litterarum.pdf
Comm. Hum. Litt. 136 joined the project. We thank them for several studies on the colour pigments of the wall paintings, recovered from fresco fragments buried in the garden and under the atrium of the House of Marcus Lucretius, and for preparing a three-dimensional model of the house and its surroundings. In the spring 2008, the project organized the exhibition Domus Pompeiana. A House in Pompeii at the Amos Anderson Art Museum in Helsinki. EPUH was responsible for the text and direction of the exhibition drama, whereas EVTEK was responsible for its physical setting and context. The exhibition was very well received by the public, and attracted many younger visitors. After this exhibition, it was time for the next generation of Finnish Pompeian scholars to take the helm, and Antero Tammisto took over direction of the project. The scientific devotion of the fourth generation of Pompeianists is manifest in many ways, and several academic theses on Pompeian and related materials have been presented by the team members. Of the editors of the present volume, Ria Berg wrote her PhD thesis on the role of female toiletry objects in AD 79 house-floor contexts, and, more widely, on the principles of Roman domestic storage, and Ilkka Kuivalainen is completing his extensive dissertation on Bacchic iconography in Pompeii, starting from the seminal figures of the House of Marcus Lucretius. Many others have also contributed to this continuing tradition, including both established and emergent scholars, among whom are:
Limes XXIII. Proceedings of the 23rd International Congress of Roman Frontier Studies Ingolstadt 2015, 2018
Numerous epigraphic inscriptions come from Roman military sites along the Croatian part of the Danube and Dalmataean Limes, and part of them have been found on Roman altars. This research will analyze the altars set up by Roman soldiers, in two geographically and chronologically separate areas. The first area is the Danube Limes, 188 km long, and encompasses the forts Batina Skela (Ad Militare), Zmajevac (Ad Novas), Nemetin (Ad Labores), Dalj (Teutoburgium), Sotin (Cornacum) and Ilok (Cuccium). Altars dedicated by Roman soldiers recovered from the civilian settlements of Osijek (Mursa), Petrijevci (Mursella) and Vinkovci (Cibalae), located in the outback of the Danube Limes, will also be included in this research. The second area is the Dalmataean Limes, and includes the legionary fortresses Ivoševci (Burnum) and Gardun (Tilurium), as well as the auxiliary forts Tepljuh (Promona), Balina Glavica (Magnum), Gornji Muć (Andetrium) and Humac (Bigestae). The research will also include the altars from Solin (Salona), an administrative centre of the province of Dalmatia, located in the outback of the Dalmataean Limes, where a large number of military finds have also been documented. When it comes to Roman altars dedicated by soldiers, the altars set up by the beneficiarii, which have been found across the province, shall not be excluded. They represent a third, mostly geographically and partly chronologically, distinct area. The purpose of this research is to establish the chronology and typology of Roman military altars. This type of research is the first of its kind carried out on the altars from Croatia, and it is part of a larger project examining the typology and chronology of Roman altars from Croatia.
Starinar, 2009
The paper publishes the recent discovery of a Roman altar built into the Church of St Petka at Surčin, Greater Belgrade. From the palaeographic features of the inscription and the dedicant’s gentile name, the altar has been dated to the second half of the second century. Examination of the published epigraphic corpuses reveals the existence of yet another, fragmented, altar from Surčin, and the author draws attention to an error in its publication. The paper offers an overview of the portable archaeological finds from Surčin which suggest an early Roman settlement (first century) in the ager of Bassianae.
Acta Musei Napocensis, 2022
The paper publishes a series of fragmentary Roman monuments embedded into the walls of churches in Moldovenești and Bădeni (Cluj County). A part of them, epigraphic pieces belong to fragmentary funerary monuments and bring new information on onomastic and prosopography. Other fragments of funerary monuments only preserve the figurative and decorative sculptural decoration. Only two monuments are votive: a relief with the figure of Silvanus and an uninscribed altar. To have a complete picture of the recycling habit of the Roman monuments during the Middle Ages, some decorated architectural fragments are also presented. All these monuments come from the ancient city of Potaissa (currently Turda, Cluj County).
The Porta Stabia Project Neighborhood at Pompeii. Vol 1. Structure, Stratigraphy and Space, 2023
Ritual behavior can be difficult to access archaeologically, and caution is essential in assigning ritual meaning to a deposit or feature. The nature and formation processes of the context itself, as well as any associated finds, inscriptions, or decorations, must inform any interpretation of the context’s function. This chapter covers the fourteen contexts that were likely associated with ritual behavior, comprising excavated deposits, structural fixtures, and additional features documented in the archival records (some no longer extant). Taken together, these fourteen contexts paint a picture of ritual behavior in these insulae that was focused partly inwardly, on propitiating household deities, and partly outwardly, on the boundaries of the city and the neighborhood.
In this paper the author publishes a new Roman grave-altar from Bikács (County Tolna). The richly decorated altar was erected by a peregrine Eraviscus and it can be dated to the first decades of the 2nd century. In eastern Pannonia very few grave-altars are known and this is the first one which was erected to a native father. He still had a Celtic cognomen but his son was called Appius. The find-spot can be found in the southern edge of the civitas Eraviscorum. This region is very poor in inscriptions.
The necropolis of the Roman city of Apsorus-preliminary results Ranko Starac (Maritime and History Museum of the Croatian Littoral, Rijeka) Tragovi kasnoantičkih građevina i sklopova u ruralnom ambijentu otoka Krka (Traces of late Antique buildings and complexes in a rural setting of the island of Krk)
Funerary altars of Roman Iader. The study of the topical character and function of funerary altars of the roman province of Dalmatia uDK: xxx Dražen Maršić odjel za arheologiju Sveučilište u Zadru This study deals with the funerary altars (arae) of roman Iader (present day Zadar) which is, right after Salona's group, the second largest group of such monuments in the region of the roman province of Dalmatia. The introductory section considers the level of research of funerary arae in Dalmatia, and also presents the previous analysis of their technological, structural, typological, and functional characteristics. The understanding that many arae served not only as funerary monuments but also as ossuaries, is particularly emphasized. The second part of the study analyses the group of arae from Zadar more thoroughly. on the arae of Zadar, the presence or absence of receptacles for storing the ashes of the deceased is largely connected to the burial, or subsequent placing, of modern monuments. The end of the study contains the catalog of the presently known arae from Zadar.
Journal of Ancient History and Archaeology, 4, 4, 2017
This paper presents the latest epigraphic discovery in the camp of XIII th Legion Gemina, represented by a votive altar dedicated to Iupiter Optimus Maximus, the protective Genius of the centuria, by a non-commissioned officer with the rank of optio named M(arcus) Atti(us) Valens. It was identified in situ, next to the entrance in contubernium, more precisely next to one of the rooms used to deposit the weapons (arma). This room was closely to the apartment of the centurion. Considering the chiselling manner of the letters, which are not carefully executed, and the context of the discovery, which is the last level of Roman habitation, the votive monument is chronologically dated during a period of the military anarchy as more precise data is forthcoming. This is the second monument discovered in Apulum dedicated to a protector Genius of the centuria. This military deity is mentioned in Potaissa by the texts of two votive altars 1 . Our character is attested for the first time expanding the list of optiones associated with this Legion.
Studia UBB, 2016
The present study presents two votive monuments from Dacia Superior that in the nineteenth century Lugosi Fodor András saw and documented. I have identified the items as among those depicting Mithraic and the Dolichenian iconography, I have detailed their typological identification, and have provided a brief discussion of the religious context in which they must be placed.
Thanks to significant literary, archaeological, epigraphic and iconographic evidence we can analyse the altars of the martyrial sanctuary of St. Felix at Cimitile, near Nola (Naples, Italy), between Late Antiquity and the Middle Ages (fig. 1), and the modalities of deposition of the relics inside them (fenestellae, loculi, capsules) 2. After the excavation and restoration campaigns directed by Gino Chierici between 1931 and 1960 3 , nine altars remained in situ, either preserving the original configuration or having undergone limited adaptations to better assist new trends and changed liturgical needs, consistent with development over the centuries. According to the available data, we can subdivide the altars of Cimitile into three types 4 : box (I), sarcophagus (II) or blockaltars (III) 5. In type I, the table rested on four chancel screens supported by corner pillars, while in type II, it was placed on four walls covered externally with marble slabs. The type III can be grouped into two variants based upon the position of the altar relative to the wall of the presbytery: those of variant IIIa, which are set against the wall, are distinguished by the presence of a fenestella on the front (west) (IIIa1) or due to the lack of a deposit of relics (IIIa2); the first ones are surmounted by a small niche (variant IIIa1a), and adhere to the rectilinear wall (variant IIIa1b) or are positioned inside a large niche (variant IIIa1c). The altars of variant IIIb, which allowed the celebrant to turn the structure around, instead, have the fenestella on the back (east) side. To better understand the reasons of the transformations, determined by the adaptation to the new liturgical needs or by the archaeological interventions, I have grouped the altars into two clusters dating back to the 4 th-7 th century (type I) and 8 th-10 th century (type II, variants IIIa1a, IIIa1b); I will discuss elsewhere the liturgical installations erected between the Late Middle Ages and the Early Modern Age (variants IIIa1c, IIIb) 6 .
Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.