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2025, Forthcoming in Menachem Fisch and Heiko Schulz (eds.), Reasons of the Heart. The Concept, Rationality and Moral Function of Religious Emotions in Judaism, Christianity and Islam, Mohr Siebeck
The second story of creation in Genesis ch.2 and its contionuations is shown to tell the story of the birth of humankind as we know it, or better, of its creative self-formation, culminating, as I argue, in full-fledged human selfhood and agency. It is a story punctuated by three highly significant, divinely guided moments of emotional significance. The three are Adam and Eve’s shameful covering of their nakedness after eating from the forbidden “tree of knowledge of good and evil” (2:17), the story of Cain’s killing of Ebel and its aftermath (4:2-17), and that of the city and the so-called Tower of Babel (11:1-9). The three, I argue, form a succession of harsh divine interventions in which three grounding layers of human selfhood are laid by means of three categories of exclusively human self-directed emotion—two pertaining to shame and one to a specific form of humility.
Journal of Theological Interpretation, 2019
Contemporary interpretations of the Genesis 3 narrative either view the passage as depicting a negative event (the classical fall understanding) or a progressive evolutionary stage in human development, the development of a moral consciousness. In both cases, interpreters have generally taken as their point of departure the forensic categories of guilt and sin. While guilt and sin concepts may be implicitly present within the passage, comparatively little discussion has centered around the ideas of shame and fear, which appear explicitly. We propose that the deliberate framing of the narrative in terms of shame and fear provides the interpretive key to this passage and thereby provides a way forward for the fall question. In particular, we will demonstrate that Gen 3 not only names shame as the primal and foundational reaction to transgression, but uses shame as a means to portray the complex effects of transgression on the human condition: a shift in identity from divinely ascribed...
Philosophy <html_ent glyph="@amp;" ascii="&amp;"/> Public Affairs, 2001
The Genesis of Shame I "And they were both naked, the man and his wife, and were not ashamed." So ends Chapter 2 of Genesis. Chapter 3 narrates the Fall and its aftermath: "The eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.'' Presumably, they made themselves aprons to cover their nakedness, because they were now ashamed. Why were Adam and Eve ashamed? And why hadn't they been ashamed before? The text of Genesis 3 suggests that they became ashamed because they realized that they were naked. But what realization was that? They were not created literally blind, and so they weren't seeing their own skin for the first time. The realization that they were naked must have been the realization that they were unclothed, which would have required them to envision the possibility of clothing. Yet the mere idea of clothing would have had no effect on Adam and Eve unless they also saw why clothing was necessary. And when they saw the necessity of clothing, they were seeing-what, exactly? There was no preexisting culture to disapprove of nakedness or to enforce norms of dress. What Genesis suggests is that the necessity of clothing was not a cultural invention but a natural fact, evident to the first people whose eyes were sufficiently open.
Svensk Exegetisk Årsbok, 2019
This article in Svensk Exegetisk Årsbok 2019 was originally a lecture at the Swedish Exegetical Day, October 2018. The article discusses shame from an evolutionary and bio-psychological perspective, and applies insights from such fields to the interpretation of biblical texts.
2019
In this paper, I will bring together a theological and philosophical analysis of shame in the book of Revelation. It is a theological analysis in the sense that it delves into the text with an eye towards the broader biblical theme of shame and takes into account the theological influence of the Hebrew Bible on the author of Revelation. It is philosophical in the sense that it attempts to give a more nuanced understanding of the feeling of shame found in Revelation and utilizes a few influential philosophical theories in order to do so. I will argue that, in this book, shame appears in contexts of divine judgment and is symbolized in the image of nakedness. I will also argue for three characteristics of shame that seem to be implicit in Revelation.
Perichoresis: The Theological Journal of Emanuel University, 2022
Till We Have Faces is a retelling of the Cupid/Psyche myth with a few twists, namely, a nonstandard narrator and the inability of Psyche's sister, Orual, to see the palace. Both innovations lead the reader to understand better the dynamics at play in Orual's effort to disrupt Psyche's life with her husband/god. The inability to see, on Orual's part, at first suggests that the nature of the story is primarily epistemological. What is it that can be reasonably known or inferred? Digging deeper, however, reveals that the epistemic elements are actually penultimate, and that instead the book bolsters an ethically robust epistemology. Who we are deeply affects what we can see. Before Orual could apprehend the nature of the gods, she had to be brutally honest about who she herself was. A victim of abuse who was constantly shamed for reasons beyond her control, she is a sympathetic character in several ways, but she gradually moves from being victim to victimizer, treating others as means to ends, and, in the case of Psyche, 'loving' her in a way that was more hate than love. Self-knowledge was needed for Orual to apprehend the truth. She comes to realize her treatment of Bardia, Batta, Redival, and especially Psyche was not as pure and altruistic as she had thought. She had to come to terms with the ugliness within herself, and her penchant for consuming others, before she could hope to see the beauty and love of the gods for what they were.
Individuals operating within the scientific paradigm presume that the world is made of matter. Although the perspective engendered by this presupposition is very powerful, it excludes value and subjective experience from its fundamental ontology. In addition, it provides very little guidance with regards to the fundamentals of ethical action. Individuals within the religious paradigm, by contrast, presume that the world is made out of what matters. From such a perspective, the phenomenon of meaning is the primary reality. Th is meaning is revealed both subjectively and objectively, and serves—under the appropriate conditions—as an unerring guide to ethical action. Th e ancient stories of Genesis cannot be properly understood without viewing them from within the religious paradigm. Genesis describes the primary categories of the world of meaning, as well as the eternal interactions of those categories. Order arises out of Chaos, through the creative interme-diation of Logos, and man is manifested, in turn. Man, a constrained Logos, exists within a bounded state of being, Eden. Eden is a place where order and chaos, nature and culture, find their optimal state of balance. Because Eden is a walled garden, however—a bounded state of being—something is inevitably excluded. Unfortunately, what is excluded does not simply cease to exist. Every bounded paradise thus contains something forbidden and unknown. Man's curiosity inevitably drives him to investigate what has been excluded. Th e knowledge thus generated perpetually destroys the presup-positions and boundaries that allow his temporary Edens to exist. Th us, man is eternally fallen. Th e existential pain generated by this endlessly fallen state can undermine man's belief in the moral justifiability of being—and may turn him, like Cain, against brother and God.
This paper will argue that, in an age of science, a rereading of Genesis will complement our scientific understanding of humanity, by arguing that Genesis provides some of the most valuable resources for understanding what it means to be human that are indispensable today. While science is also vital for its explanatory function, it is unable to provide all the resources necessary for a humane society, such as human dignity, equality, freedom, and hope. This paper aims to clarify and give weight to certain creation concepts in Genesis that are crucial precisely in grounding these important elements of a humane society. These concepts include the human as a bearer of the image of God, the Sabbath, and anticipation for new creation. These concepts are not only not available in science, but are often left out in creation vs. science debates. This paper hopes to demonstrate the deeply political and pastoral aspects of these concepts. This paper will also argue for the indispensability of the doctrine of creation in grounding our understanding of humanity especially in light of recent critiques of scientific research within the scientific community itself concerning its limitations and biases.
Dignitas, 2023
What does it mean to be human? This simple query touches the very core and purpose of our existence and is, thus, one of the most important questions we can ask. The answer, however, is complex and requires that we view the topic from a variety of angles, as we are doing in this issue of Dignitas. What follows are some reflections on how the Bible addresses this pressing question.[1] Specifically, we will consider our significance and identity in light of humanity’s creation in God’s image and likeness (Gen 1:26–27), terms that define humanity as God’s children whom he created to function as kings, priests, and prophets for the blessing of all creation. We will discover that although all people are made by God in his image and are thus of inestimable worth, the fullness of our humanity is realized in a familial relationship with God and his people. We are most fully human when we live in right relationship to God and work together to fulfill our role as channels of blessing to others.
2002
This thesis explores the phenomenon of shame in the context of the Hebrew Bible, focusing particularly on the three major Prophets (Isaiah, Jeremiah and Ezekiel), because it is here that shame vocabulary is most prevalent. Shame is prominently discussed in the literature of psychology and anthropology. In the first chapter psychological explanations for the origins of the apparently universal human emotion of shame are described. In the course of this, phenomenological similarities between shame and guilt, grounded in the shared centrality of negative self-evaluation are outlined. The role of shame in social contexts is described with regard to stigma and, more fully, in the second chapter, in the light of socio-anthropological field studies conducted primarily in the Levant. In the Mediterranean studies shame is usually paired with its binary opposite honour. The honour/shame model is characterised especially by defined gender roles and challenge-ripostes. Shame is associated parti...
Journal of Ancient Judaism, 2021
The modern conception of the self as bifurcated between inner and outer realms has and continues to hold sway as an unchecked presumption in biblical interpretation. The past decade of biblical scholarship, however, has seen a burgeoning effort to problematize this imposition with regard to emotion and interiority. The present study joins this conversation by challenging the presumption of “shame” as an emotional and interior category in the Hebrew Bible, a challenge that has already been initiated but is ripe for further probing. Informed by a practice theory of emotion and embodied cognition, and focusing on the metaphor Shame is Clothing, which appears in Job, Ezekiel, and Psalms, this study proposes material and enactive readings of “shame” wherein so-called shame roots as bwš, klm, and ḥpr center on bodily diminishment and practices of defeat as a matter of relational dynamics and power disparities.
Recherches De Theologie Et Philosophie Medievales, 2007
The topic of shame has attracted little attention in Augustinian scholarship. This article will provide a detailed analysis of Augustine's case studies of Lucretia's rape and Adam's act of covering himself after the Fall in De ciuitate Dei. It will be argued that Augustine's subtle depiction of shame-feeling in the context of guilt and sin offers us an illuminating interpretation of shame and its intimate relation to personal identity.
The Heythrop Journal, 2024
While the philosophical study of shame has gained popularity, its application in the interpretation of the Hebrew Bible remains in its early stages. This paper delves into an analysis of shaming and unreasonable shame in the Book of Job, particularly in chapter 19. Through an examination of the Hebrew text and drawing on contemporary philosophical definitions of shame and shaming, I argue that Job perceives his friends, God, and the community to be employing shaming tactics against him, attempting to induce feelings of shame, a sentiment Job considers unjustified. In his case, shame is deemed unreasonable because Job has not violated any cherished values that would warrant such an emotion. Additionally, I demonstrate that while Job senses God shaming him, the biblical character acknowledges that his deity is the sole entity aware of his innocence–God's eyes perceive accurately, in contrast to humans', which only assess outward appearances. The role of God as the perfect witness to Job's life is fulfilled in the epilogue of the book, where Yahweh vindicates Job from the shame he has endured by publicly denouncing the serious faults of his friends.
PSYCHOANALYTIC INQUIRY, 2024
Shame is the emotion that mediates the developing infant’s sense of synchrony with their social world. Between the ages of 1 and 2, the social world of infancy is characterized by here-and-now enactive rhythms with others, and shame comes about through ruptures in those present moment interactions. Between the ages of 3 and 5, with increasing narrative fluency through conversations, the toddler develops an ability to reflect on past actions in the company of others. They now can experience shame for actions they performed (or failed to perform) in the past that didn’t live up to the expectations of a familial community of minds. We understand both the purely enactive and the reflective versions of shame as operating on a continuum. On one end, shame functions as a signal to repair mis alliances. On the other, shame can become a totalizing experience of isolation and self-consciousness. We use these ideas to explore, in novel ways, certain psychoanalytic phenomena such as dissociation, narcissism, PTSD and body-dysmorphia.
Thetorah.com, 2022
The stories of Enosh, Noah, Nimrod, the Tower of Babel, and the marriage of the “sons of God” to human women (Genesis 4–11) all feature the Leitwort החל “began,” signaling an attempt to be more than just human. The human attempt to become godlike is a consistent theme throughout the opening chapters of Genesis. Each further attempt is highlighted by a form of the word ח.ל.ל “began,” which functions as a Leitwort (“Leading word”; מילה מנחה),[6] as Martin Buber called it, “a word or a word-root that repeats meaningfully within a text, a sequence of texts, or a set of texts.”[7] The term appears five times in Genesis 4–11. After pursuing the repetitions of the term, the text’s “meaningfulness” unfolds as a series of epochal ‘beginnings’ that chart repeated quests for godlike power inaugurated by Adam and Eve to become like God (Gen 3:5,22).
Journal of Philosophical Research, 2016
The atonement has been traditionally understood to be a solution to the problem created by the human proneness to moral wrongdoing. This problem includes both guilt and shame. Although the problem of human guilt is theologically more central to the doctrine of the atonement, the problem of shame is something that the atonement might be supposed to remedy as well if it is to be a complete antidote to the problems generated by human wrongdoing. In this paper, I discuss the difference between guilt and shame; I explore the different varieties of shame, and I suggest ways to connect the atonement to a remedy for all the kinds of shame.
Dress Hermeneutics and the Hebrew Bible: "Let Your Garments Always Be Bright" (The Library of Hebrew Bible/Old Testament Studies, 724), 2022
nakedness from the divine? This is unlikely since previously in the narrative the man and the woman are routinely in the presence of God naked, and the deity expresses not a hint of displeasure with their nudity. Although a reader might likely infer feelings of shame upon the couple, the text itself is silent. Rather than shame, the narrative connects the primordial couple's act of clothing to fear. In Gen. 3:10 Adam defends his actions before the deity, explaining that he was afraid because he could see that he was naked and out of this fear, he attempted to hide himself in the garden. Not only is the man apparently unmotivated by shame, there is no indication in the narrative that Adam felt aggrieved for violating the commandment. Instead, he reacts out of a sense of his own preservation. The shift from nakedness to girding fig leaves in the midst of the trees was to hide from YHWH, not out of shame but fear. 8 Moreover, the deity, inattentive to Adam's fear (after all the deity could have said "do not fear, " but does not), fixates on the newly uncovered knowledge of Adamthat he knows he is naked, not that he is naked. Perhaps rhetorically, YHWH queries if he was told by someone (the serpent?) that he was naked? Then, specifically, the deity interrogates Adam to discern if he violated the commandment and ate from the tree of discernment. Instead of answering the deity's question directly, "Yes, I ate from the tree, " Adam blames his wife: "The woman whom you gave to be with me, she gave me fruit from the tree, and I ate. " Turning to the woman, the deity now interrogates her actions. She, too, adopts a circuitous answer and blames the serpent for "tricking her" into eating the fruit. Although both the man and the woman blame and dodge, it is not evident in the text that they do this motivated by shame. Fear, itself, of their own vulnerability before the deity, is the narrative's overt contextual explanation. Why is the couple afraid after eating the fruit when earlier they were not? Prior to and between the two acts of clothing, the narrative emphasizes the deity's command. In Gen. 2:16, YHWH commands the man to refrain from eating from the tree of discernment ם דָ אָ ַל-הָ ע (ים ֱֹלהִ א יהוה ו צַ ַיְ .)ו In YHWH's interrogation of Adam in Gen. 3:11, the same lemma (ṣāwāh ָה ו צָ "to command") is emphasized (ּ תָ לְ ָ כ אָ ּּנוּ מֶ ָל-מִ ֲכ א י ּתִ לְ בִ לְ יָך ּיתִ וִ צִ ׁר שֶ ֲ א ֵץ ע ן-הָ ֲמִ ה ּה תָ .)אָ Then, pointedly, in the chiasmus of the curses the commandment violation is invoked, "because you have listened to the voice of your wife, and have eaten of the tree about which I commanded you ָה( ו ,)צָ 'You shall not eat of it, ' cursed is the ground because of you" (Gen. 3:17). In terms of characterization the deity repeatedly chooses the language of command much like a parent, or a human sovereign, or even a despot. Because the couple, each alone and in turn, refuses to take responsibility for violating the divine 8. Note this trauma reflex is not necessarily normative. In Lam. 1:9, the exposed and stained persona (mother Jerusalem) wants to be seen in her misery. See Anne Letourneau, "The Stain of Trauma: The Skirts of Jerusalem in Lam. 1:9" (forthcoming). Letourneau's observation leads one to posit the following question: "Is there a sense that the primordial couple wants to be found out at some level in their psyche despite hiding?"
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