王子奇 WANG Ziqi 宋代北方地区新建建制城市的考古学研究

Korea Journal of Chinese Language and Literature

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Humanities and Arts

The Canglangting Garden was first built by Su Shunqin in the Northern Song Dynasty and underwent frequent changes in the following four dynasties: Song, Yuan, Ming, and Qing. The theme of "Canglang" and its connection with Su Shunqin also disappeared and emerged in history, and gradually became prominent after the renovation of Canglangting Garden by Song Luo during the Kangxi period of the Qing Dynasty. Based on local Chronicles, garden records, poems and images, and other related historical documents, this paper focuses on the study of the spatial narrative changes of Canglangting Garden from the initial construction of Su Shunqin to the renovation of Song Luo by intensive literature reading, image analysis and field survey, discusses some important issues and details in particular, such as the background of the emergence of Canglang theme, the competition between Zhang and Han during the chaotic times, the disappearance

Anhui shixue [Anhui historical studies], 2020

This paper suggests that attention to Chinese philanthropy is not, however, as limited as often suggested because this topic has often been “embedded,” or hidden, in other subject areas that resulted in their exclusion from bibliographies under the keywords philanthropy or charity. The main example of this “embedding” can be seen in studies of missionary history, which often included significant exposition of the philanthropic work of missionaries in China despite not being categorized under the “philanthropy” subject heading. A complete understanding of Western studies of Chinese philanthropy cannot ignore the contributions of these studies. This paper also argues that the dominance of missionaries in Western perceptions of philanthropy in China for a long time hindered, or even distorted, the growth of the history of Chinese philanthropy as a specialized area of research. It was only with the development of other trends in Western studies of Chinese history, beginning with an emphasis on “China-centered history,” that eventually helped to correct the distortions in Western perceptions about Chinese philanthropy. These development ultimately contributed growing attention to this subject that finally promises to bring more strength and better balance to the study of Chinese philanthropy in the West.

2021

Advances in Psychology, 2015

Background: The purpose of this study was to determine a factor structure for the immersed tendency questionnaire (ITQ) under the background of Chinese culture. The 14 items comprising the ITQ originally derived from Witmer and Michael's immersed tendency questionnaire (1998). Methods: Data from 360 university students were subjected to exploratory factor analysis (EFA) and 440 university students were subjected to confirmatory factor analysis (CFA). Results: CFA confirmed that ITQ was a 4-factor structure. EFA explained 50.65% of the variance through a 19-item, 4-factor structure (game immersed, state involvement, focus, and emotional involvement). Adding the total score, Cronbach's alpha coefficients were 0.512 -0.789. ITQ had satisfying structure validity (χ 2 /df = 2.736, NNFI = 0.91, IFI = 0.93, CFI = 0.93, RMSEA = 0.064) and criterion validity (r = 0.575, p < 0.001). Conclusions: The revised ITQ had a satisfying structure validity and reliability; the 4-factor had a significantly better fit, and could be used in the related fields of research.

文化艺术创新, 2019

中国江苏省扬州市一直以来就具备丰富的旅游资源，自古至今都以优美的风景、精致的饮食、深厚的人文吸引着大批游客。《红楼梦》不仅在创作上与中国江苏省扬州市有着密切关系，而且其所表现的物质文化、非物质文化、风俗习惯等方面，都与扬州这块土地血脉相承。随着中国江苏省扬州市旅游业的蓬勃发展，相关部门可以试着开发更多的旅游项目，在旅游中增进消费者感官体验和精神体验。《红楼梦》作为与扬州市有密切关系的名著，挖掘其更多与扬州市有关的旅游资源，促进中国江苏省扬州市旅游经济增长成为一个崭新而有意义的课题。

Chinese Science Bulletin, 2009

SCIENTIA SINICA Terrae, 2014

2021

person pronouns are qualified, the other for the first-person pronouns contrastive form. At the same time, we try to propose two suffixes */ɯ/ and */m/.

2015

Depuis 1979, les critiques d&#39;art en Chine ont accompagné le développement de l’art contemporain, participant à la renaissance de la vie intellectuelle durement éprouvée sous le règne de Mao. Les revues d&#39;art reflètent l’évolution de leur réflexion. Dans ma thèse je présente d’une part ce paysage intellectuel dans lequel s’est construite la critique d’art chinoise, et d’autre part, après avoir analysé comment certains concepts passent d’une langue à l’autre, j’aborde les textes théoriques et leur réception dans le milieu académique. Attirés au départ par la pensée occidentale, un champ référentiel qui s’étend de Platon à Danto, les critiques chinois se sont tournés ensuite vers le corpus classique, voire le Livre des mutations, pour forger des outils “propres à la Chine” afin de ré-écrire une histoire de l’art contemporain chinois délivrée du carcan post-colonial, mais au risque de se prendre au piège d’un nationalisme insidieux encouragé par le Parti. Les larges extraits que...